Themes and Continuity
Dec. 22nd, 2025 05:50 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
rocky41_7The most frustrating thing about The Tomb of Dragons is not even the romance bait-and-switch but the feeling that core themes of the trilogy were just completely dropped and even reversed in the final half of the third book.
We start book one with Thara still grieving the death of his lover Evru and only recently returned to his calling after that tragedy, starting his life anew in the city of Amalo. Throughout the trilogy, he is aloof, reserved, and unwilling to rely on others or accept companionship or camaraderie from anyone. Despite this, his earnest nature and devotion to using his role as a prelate to help others wins him the affection of many in his new home.
Yet he is, as Anora says in the third book, a hard man to be friends with. Although many around Thara genuinely like him and wish him well, he continues to hold himself at arms' length, in part by nature, in part due to past tragedy, and in part due to complex feelings around being gay in a homophobic society (and perhaps a feeling that he must hold himself apart, to be able to keep that part of himself private). He is repeatedly shocked when others express affection or well-wishes to him beyond simply politesse. Anora has to tell him that Azanharad feels warmly to him, as it simply never occurred to Thara.
In his relationship with Iana, he starts to come around to the idea of romance again, but in his relationships with many more, he starts to come around to the idea of community. In his dinners with Anora, in his training and partnership with Tomasaran, in his working relationship with Prince Orchenis, Thara begins to develop this community, a home in Amalo.
We know that he has no love for his previous city of office, Aveio, where Evru was executed, and that he never felt at home in the imperial court with his cousin Csoru, but in Amalo, he begins to feel comfortable. He feeds the local strays on his porch, he regularly attends the theater, he regularly dines with Anora and later with Tomasaran.
After great loss, both personal and directional, forced to start his life over essentially from scratch, Thara is beginning to resettle.
And The Tomb of Dragons just tosses all that and decides that actually what Thara wants is a life on the road with some guy he met a few months ago and barely knows. All of those relationships he spent nearly three full books painstakingly building are relegated to pen pals and that's meant to be an optimistic ending. Those friendships that were sold as so important turn out to mean less than this rando love interest introduced in the final third of the last book.
Thara is not a character who ever gave off the air of being an adventurer. He is not someone who has been looking for thrills or a life living out of a suitcase; he's always seemed far more domestic and practical. Few characters in the Chronicles of Osreth seem less suited to a life of constant travel and peril. All of the dangers Thara takes on in Amalo are only in pursuit of his calling, and he does not take any pleasure in it beyond being able to assist those who rely on him.
For two and a half books it felt like Thara was building a new home in Amalo, a place where he felt safe, and cared for, and known, and for that to all be chucked at the last minute for the life of a traveling prelate feels like a second tragedy in his life. It doesn't come off like a hopeful new start, it comes off like Thara having another home snatched away from him, like his once more being forced out of a place he had, with great difficulty, made connections.
And it's so disappointing to me.
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Date: 2025-12-23 05:15 pm (UTC)no subject
Date: 2025-12-23 11:11 pm (UTC)Like, the whole ending of this book was just so disappointing. I loved the first two and then it just went down in flames.
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Date: 2025-12-23 06:42 pm (UTC)no subject
Date: 2025-12-23 11:12 pm (UTC)